For the artwork of We’ll be okay and its digital single releases by Trommel Tobi, designers Jeremias Diekmann and Robert Winter turned to Arthemys Display Light to inject elegance, rhythm, and personality into the visual language. With its elongated proportions, razor-fine strokes, and editorial flair, Arthemys sets the tone for music that balances nuance with intensity.
Used prominently across the artwork, the typeface provides a visual signature that feels both high fashion and underground, modern and mystical. It’s a font that doesn’t just title the music, it amplifies its mood.
We think Diekmann’s use of Arthemys is a masterclass in restraint and precision: letting the type breathe, float, and command without shouting. The result is a visual identity for Trommel Tobi that’s as expressive as it is exacting.