Slipcase with all 14 books
Between 1925 and 1930, the Bauhaus published a series of 14 books, authored by teachers and friends of the legendary design school. The titles discussed the ideas of the Bauhaus in art, design and architecture. In response to the Bauhaus Centennial in 2019, all 14 Bauhausbücher were re-issued in 2021 by Lars Müller Publishers in collaboration with Bauhaus-Archiv / Museum für Gestaltung in a English translation, preserving the original typography and design.
The digital re-issue required the use of digital revivals of the original typefaces used – four of those books utilise LD Genzsch Antiqua by Michael Wörgötter / Lazydogs as their main text face: Book 10 Dutch Architecture by Jacobus Johannes Pieter Oud, Book 11 The Non-Objective World by Kasimir Malevich, Book 13 Cubism by Albert Gleizes, and Book 14 From Material to Architecture by László Moholy-Nagy. The typeface’s original features such as the historical hyphen and the em dash enable a redesign true to the original publication.
Book jacket of Dutch Architecture feat. Akzidenz-Grotesk fett
Pages 26–27 from Dutch Architecture feat. LD Genzsch Antiqua and Akzidenz-Grotesk. The caption uses an unidentified font, see comments.
Pages 28–29 from Dutch Architecture feat. LD Genzsch Antiqua and Akzidenz-Grotesk
Book jacket of Cubism with the English title added in Helvetica Inserat or similar, see comments
Pages 84–85 from Dutch Architecture feat. LD Genzsch Antiqua and Akzidenz-Grotesk
Double-page spread from Cubism feat. LD Genzsch Antiqua and what looks like Helvetica Extended
Pages 84–85 from Cubism feat. LD Genzsch Antiqua and Helvetica. Page numbers appear to be from Akzidenz-Grotesk Super.
Book jacket of From Material to Architecture, with the English title added in what looks like Akzidenz-Grotesk Bold
Pages 92–93 from From Material to Architecture feat. LD Genzsch Antiqua and Akzidenz-Grotesk (in Bold and Super weights)
Pages 96–97 from From Material to Architecture feat. LD Genzsch Antiqua and Akzidenz-Grotesk. The caption on the right is set in a digitization of Neue Moderne Grotesk, with the paragraph below in Volta.