A Magazine Curated By #28, Cecilie Bahnsen

Published November 20, 2025

By FontsInUse

Contributed by Outline Online

Cover of the 29th issue

Issue N°29 of A Magazine Curated By has been curated by Cecilie Bahnsen.

At its heart, this publication is a celebration of women: their voices, perspectives, and relationships. Throughout the issue, what emerges is a language of shared experience through moments between parents, children, sisters, lovers and friends. A Magazine Curated By N°29 unfolds as a meditation on the beauty of the everyday, the unseen threads between generations and the formative experiences of youth and childhood that continue to shape creativity today.

“It’s filled with the voices of sisters, mothers, collaborators and creatives—a tribute to the strong, inspiring women I’m lucky to have around me.”

OO Theran designed by Laura Csocsán (released on Outline Online) features as one of the main typefaces in use throughout the magazine, selected by the editorial team. It is used equally for bigger titles, credits, as well as longer texts and interviews. On some pages and for a few interviews, it's also combined with the two other typefaces the magazine utilises in this particular issue.

For consistent page numbering, smaller credits and titles, as well as most longer texts and interviews, Mercure roman and italic by Charles Mazé are applied throughout the pages. Released on Abyme, Mercure fits smoothly together with the contemporary grotesque typeface, Monument, designed by Kasper-Florio and released on Dinamo. Monument Grotesk is used in combination with Mercure most of the time, within running text for interviews, for example, or used on its own for a few titles of editorial pages. It can be spotted in very small details throughout as well, for example, in image copyrights or in combination with Mercure for smaller image credits. In some occasions all three typefaces are used in combination with each other within interviews, but in most cases, it's two of them selected and applied together within a spread.

Mercure and Theran in the table of contents

Theran Halo used for the title of the editorial series

Mercure and Theran used throughout an interview

Theran indicating the source of images

All three typefaces used within a page, Mercure noting Cecilie in the conversation, questions set in Monument, and notes on the bottom set in Theran Halo.

Page showing Mercure and its Italic together

Page showing Mecure and Monument used together in this interview

Full page letter set in Theran Halo

Theran Halo applied with OpenType isolated positional (circled) forms for the opening page of the spread

Monument and Mercure Italic used together for titling of images

Theran Halo used for the tile of the editorial series

Monument in used for the tile of the editorial series

Theran Halo used for the tile of the editorial series

All three typefaces used within a page, Mercure in the running text of the conversation and small titles, names set in Theran Halo, and the tile plus image copyright set in Monument.

Page showing running text and titles set in Mercure and its Italic

Theran Halo used to show time stamps within the spread, while page numbering is set in Mercure

Time stamp set in Theran

Time stamp set in Theran, titles set in Mercure

Editorial detail of Theran Halo up close from a page where it's used in running text, in an ASCII image of an apple, as well as in titles with OpenType automatic positional (circled) forms applied.

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WRITTEN BY

FontsInUse

An independent archive of typography.