John Adomono – A Night at the Beachcomber album art
Source: www.flickr.com Uploaded to Flickr by Bart Solenthaler and tagged with “volta” and “akzidenzgrotesk”. License: All Rights Reserved.
A Night at the Beachcomber by guitar virtuoso John Adomono was recorded at the International Market Place, Honolulu, Hawaii, and released by Decca Records in 1961. From his bio at Discogs:
“John played alone, but most people thought there were five or six players on his records,” remembers Lu Woolley, his promoter and booking agent. “People were absolutely wowed by him. Nobody played like him.”
Adomono’s secret weapon was the Ecco-Fonic, a cutting-edge tape-echo machine. Alongside DeArmond’s Tremolo Control, it was one of the first stand-alone effects for the guitars and Adomono was one of the early testers, promoters, and endorsers.
On the uncredited cover, Adomono’s name is shown in red letters from the fett weight of Volta. The wide Clarendon with the superb figure–ground organization was designed by Konrad F. Bauer and Walter Baum and first cast by Bauer in 1956. The typeface used for “Guitarist fantastique” has German roots, too: it’s Berthold’s Akzidenz-Grotesk, known in the US under the name Standard. The bold condensed style is Akzidenz-Grotesk extra, added to the family by Günter Gerhard Lange in 1958.
This post was originally published at Fonts In Use