Poland. Key to Europe (1939) and Isolated America (1940) by Raymond Leslie Buell
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Poland. Key to Europe, featuring Peignot gras dramatically staged with shadow effect and a sloping baseline
Two books written by Raymond Leslie Buell and published by Alfred A. Knopf, both with Peignot used for the title.
Buell (1896–1946) was an American social scientist who at the time served as president of the Foreign Policy Association. In Poland. Key to Europe, he points out the importance of Poland maintaining its independence and thus saving Europe “from the domination of either Fascism or Communism”. It was published in April 1939 – a few months before Nazi Germany and the Soviet Union signed the Molotov–Ribbentrop Pact and soon after attacked Poland. Isolated America followed in May 1940, when German troops invaded France and the Low Countries. In this book, Buell expressed his stance against U.S. isolationism. One and a half years later, the United States abandoned its neutrality and entered World War II following the Japanese attack on Pearl Harbour.
Peignot was pretty new in 1939. A.M. Cassandre’s groundbreaking design with the novel mix of capital and minuscule forms was first released by Deberny & Peignot in 1937. The bold weight, Peignot gras, followed in 1938. On the jacket for the first book, it’s paired with Egmont and Ariston. “Key to Europe” is handlettering. It appears to mimick Ariston (see the spine panel) – or is it the other way around? The text on the inner flap is set in Monotype Bodoni. The bold geometric sans on the second book jacket is Vogue, used with some of its alternate glyphs. The author’s name is lettered, again not too far removed from Ariston.
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Second edition jacket of Isolated America with a blurb by William Allen White
This post was originally published at Fonts In Use